The Circle of Fifths


  • Circle of Fifths
  • BC Cir 5ths
  • Alto Clef Cir5

The Circle of Fifths is a wonderful, visual representation of the relationships between the major keys, the minor keys, and our twelve key signatures.  As a tool, we can easily figure out the number of sharps or flats in a given key signature and what those sharps and flats should be.  For instance, if someone tells us to play in the key of E, we can see that the major key of E is at the 4' o-clock position which means it should have 4 sharps in the key signature.  The first sharp is always F#.  The next sharps follow the letter sequence on the outside of the circle in a clockwise direction.  So, in the key of E, the four sharps would be F#, C#, G#, and D#.  Similarly, if we're asked to play in the key of Eb, we know from the chart Eb is the third spot down on the left of the chart going counter-clockwise.  Therefore, that key signature must have three flats.  The first flat is always Bb.  The next two flats then after Bb following the letters counter-clockwise on the outside of the circle are Eb and Ab.  The key of Eb then has three flats in the key signature: Bb, Eb, and Ab!  

We can also use the chart to quickly identify the sub-dominant and dominant chords associated with a particular root.  For example, in the key of C, the sub-dominant chord (or IV chord) is one to the left on the circle: F major.  The dominant chord (or V chord) is one to the right on the circle: G major.  In the key of Eb, the sub-dominant chord (or IV chord) is one spot counter-clockwise on the circle: Ab major.  The dominant chord (or V chord) is one spot clockwise on the circle: Bb major.  In a typical, major chord progression, we would then hear I-IV-V-I or Eb major (the root), followed by the Ab chord (the sub-dominant or IV chord), next the Bb major chord (the dominant or V chord), and a return to the root or tonic (I-chord) Eb major.  Cool, huh?

The bottom three key signatures are where the flat signatures and the sharp signatures overlap in the drawing.  We call them the "enharmonic" keys.  These are key signatures that have two different names and can be shown in two different ways by writing with either sharps or flats.  For any particular enharmonic key signature, however, the eight notes being played in the scale are all the same!  For example, in the key of Gb with six flats, the tones being played sound identical to the notes in the key of F# with six sharps, because F# and Gb are really just two different ways of saying the same note - they're the same black key on a piano keyboard.   

The smaller, inner circle (in lowercase letters) shows us the relative minors of the major keys listed on the outer circle (in uppercase letters). 

Some people use mnemonic devices to help them remember the order of the key signatures.  For the flat keys, we've heard: Fit - Boys - Eat - All - Darn - Good - Chow  (F, Bb, Eb, Ab, Db, Gb, and Cb).  For the sharp keys, we've heard: Go - Down - And - Eat - Bread - From - Cook (G, D, E, A, E, B, F#, and C#).

Listed below are links to a downloadable image for printing and to some other websites with more detail about the circle of fifths.


Print Version   Classic FM's Explanation  Music Theory Site   Another Explanation   

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